Premium Rush (2012)
THE SCOOPDirector: David Koepp
Cast: Joseph Gordon-Levitt, Michael Shannon, Dania Ramirez, Jamie Chung.
Plot: In Manhattan, a bike messenger picks up an envelope that attracts the interest of a dirty cop, who pursues the cyclist throughout the city.
Genre: Action/Thriller
Awards: -
Runtime: 91min
Rating: PG13 for some violence, intense action sequences and language.
TRAILER:
IN RETROSPECT
“I like to ride. Fixed
gear. No brakes. Can't stop. Don't want to, either.”
Is this the year of Joseph
Gordon-Levitt? Premium Rush is one of
four films the rising actor has worked on in 2012. Tackling films as diverse as
the superhero epic (The Dark Knight Rises),
the upcoming highly-anticipated sci-fi mystery (Looper), and Spielberg's historical drama (Lincoln), Gordon-Levitt pulls another rabbit out of his hat with
this high-concept action thriller that can be described as a bike chase through
New York. Only that the rabbit feels occasionally weary during its circus
performance.
Premium Rush
is like that circus rabbit. We are impressed by the film's visual energy that
provides a kinetically-driven and all-horns blazing urban adventure. But when
the action shifts to more dramatic material, which is almost always seen in
flashback, the film loses some of its energy which it doesn't quite recover.
Writer-director David
Koepp keeps the adrenaline pumping for most of the action scenes, though more
of it is due to our fear of witnessing sickening vehicular collisions than the
thrill of seeing folks riding bicycles at insanely fast speeds.
Speaking of which,
insanity is probably the main theme of Premium
Rush. Gordon-Levitt's character, Wilee, who plays a courier, is insane
because he rides a bike with no gears and brakes. Michael Shannon, who plays a
corrupt cop with anger management issues, is insane because he pursues Wilee in
his car and still can't catch him. There is also an insane cop on a LAPD
bicycle who relentlessly pursues Wilee… to his own detriment. What's all that
insanity for? Well, a mystery envelope may provide the answer.
A lesser writer would have
used that said envelope as a MacGuffin, but Koepp (who wrote well-liked
blockbusters like Jurassic Park
(1993), and Spiderman (2002)) takes
it further by inserting a dramatic subplot midway into the film that involves
some kind of a planned reunion between mother and child that motivates the
existence of that envelope. This inclusion may feel jarring at the point of
revelation, but it gives the film a more humanistic closure at the end.
Shannon's performance is
the most eye-catching, embodying all the characteristics of a nasty villain.
Without Shannon, Premium Rush would
have been reduced to a generic chase movie. Koepp knows that high-concept chase
movies are hard to sustain for long periods of time, unless you are talking
about films like Speed (1994), still
one of the very best of its subgenre.
Premium Rush
is kept within a tight 90 minutes; it is fast-paced punctuated by moments of
lag caused by one too many a flashback. Of course, the added bonus is to see a
sweaty Gordon-Levitt perform some cool bike stunts. Not just cool, but insanely
cool.
Verdict: A strong villainous performance by Michael Shannon,
and some nail-biting thrills elevate this high-concept film slightly above the
generic chase movie.
GRADE: B-
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