Batman v Superman: Dawn of Justice (2016)
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Review #1,282 |

THE SCOOP
Director: Zack Snyder
Cast: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Jeremy Irons, Gal Gadot
Plot: Fearing that the actions of Superman are left unchecked, Batman takes on the Man of Steel, while the world wrestles with what kind of a hero it really needs.
Genre: Action / Adventure / Fantasy
Awards: -
Runtime: 151min
Rating: PG13 for intense sequences of violence and action throughout, and some sensuality.
Distributor: Warner Bros
IN RETROSPECT (Spoilers: NO)
“That's how it starts.
The fever, the rage, the feeling of powerlessness that turns good men...
cruel.”
The box-office success of Batman v Superman: Dawn of Justice may
mean that the 'Justice League' movies now have ringing endorsement, but if DC
Comics, Warner Brothers and director Zack Snyder are to continue on this
downward trajectory, they might destroy the very thing they hold dearest.
I think it is important not to
conflate genuine curiosity with genuine embracement – moviegoers are flocking
to the theaters because of the novelty of seeing two (even three) iconic DC
superheroes sharing the same screen; it doesn't imply that they like what they
see. I suspect, like myself, they also
desire an alternative to Marvel's marketing machine. But the problem is not so much of competition
or choice, but of legacy.
There's not much plotting in Dawn of Justice to suggest a well
thought out story, and the characters, particularly the introduction of a new
Batman (Ben Affleck) and the long-awaited appearance of Wonder Woman (Gal Gadot)
leave much to be desired.
There are no shades of grey as
Snyder throws nuance, subtlety and fun out of the window in this tone-deaf
movie that takes its self-importance too seriously. It is a loud and lumbering blockbuster,
almost arrogant-like in its force-feeding of its own brand of heavy-handed
entertainment. Visually, you can't fault
Snyder and co. He has always been a
confident visual artist, but not so much as a visual storyteller – Watchmen (2009) and Sucker Punch (2011) were some of his abominations.
While Man of Steel (2013) had some semblance of emotional drama to go
along with the spectacle, Dawn of Justice
feels as if it is blatantly using half-baked 'dramatic' moments between
characters (allies or villains) to remind us that their actions hold larger
political, even philosophical, meanings.
Why not have their actions primarily
serve and anticipate reactions and consequences (this was the shrewd approach
of Nolan's 'The Dark Knight' trilogy), rather than spectacularizing for the
sake of it and trying to force out something meaningful? Well, Captain
America: Civil War (2016) can't come any sooner, can it?
Verdict: A loud and lumbering blockbuster that is also
tone-deaf, almost arrogant-like in its force-feeding of its own brand of heavy-handed
entertainment.
GRADE: C
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